REMI.C.T - Blog
#SKETCHBOOKTHOUGHTS 199

IN CONVERSATION | PORTRAIT ARTIST- REBECCA HOLTON

17.09.20

“I’m very influenced by what is around, the people around me, the culture that is around me. And when I moved back into London, I felt I was looking at London with almost a visitor’s eye – an objectivity I didn’t have when I left.”

-Rebecca Holton

Rebecca Holton is a contemporary Fine Artist working and exhibiting in London, UK. Her work focuses on the human figure, – through lifework, observation and portraiture. “I am interested in the art of story-telling through paint. I paint moments when people are unaware they are being captured. When someone is absorbed in their own space – whether that is deep in conversation, thought, work or play. The lack of visual connection between the subject and the viewer allows us to study the figures and their surrounding environment – and therefore, encourages us to use the painting’s details to create their stories.” [rebeccaholton.com]

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#SKETCHBOOKTHOUGHTS 198

IN CONVERSATION | PAINTER- LENA BRAZIN

15.09.20

“It is also true that living in London is like living in a jungle and if you want to survive you need to try and live your best. Therefore if you want to make a living as an artist in a very competitive environment you need to level up your game.”

-Lena Brazin

Lena Brazin’s work explores and expresses metaphysical, mystical, and spiritual themes of human life through an intuitive approach to painting where vivid colours and bold drawing form a base for her expressive language within the figurative and narrative painting. Her use of the exaggerated personal and symbolic imagery evokes questioning and opens up an imaginative space for the viewer to occupy where multiple layers of paint with different paces of application of the paint reflect the complexity of the reality that we live in. [lenabrazin.com]

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#SKETCHBOOKTHOUGHTS 197

ART | IN THE BUILT ENVIRONMENT

04.09.20

‘Shattering’ 3D Mural

Location: Helsingborg, Sweden

Artist: Leon Keer

#SKETCHBOOKTHOUGHTS 196

IN CONVERSATION | PORTRAIT ARTIST- KATHY BARKER

03.09.20

“So I don’t think London will be a problem as in to draw artists into it. I think what’s harder for artists is to survive economically. You’ll often get artists that come out of art school, and in 10 years time, they no longer do art and they’ve gone into a different career because they can’t afford to or they choose not to make the sacrifice of living standards.”

-Kathy Barker

Kathy Barker trained at the Wimbledon School of Art gaining BA Honors in Fine Art (painting) and a Master of Art in Printmaking. As her career progressed she followed her true passion for portraiture and studied at the Charles Cecil Studio in Florence, Italy in the atelier fashion. In addition to her portrait painting, she is currently providing Postgraduate drawing tutorship at West Dean College, which is part of the Edward James Foundation. [kathybarker.co.uk]

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#SKETCHBOOKTHOUGHTS 195

IN CONVERSATION | PAINTER- KAROLINA ALBRICHT

19.08.20

“There are alternatives- you can move to another city or another country, but it’s frustrating to see that artists are the trailblazers for the developers. And unfortunately, it’s a vicious circle.”

-Karolina Albricht

 Karolina Albricht (b. 1983 in Krakow) is a London based artist and curator currently undertaking Turps Studio Programme in London. She graduated with an MA from The Academy of Fine Arts in Krakow in 2008, prior to that she completed Socrates-Erasmus at ArtEZ Institute of Fine Arts in Arnhem, the Netherlands in 2007. Her recent exhibitions include Dear Painter at Nordic Art Agency, Malmo, Adazzle at JGM Gallery, London and Catamaran at Thames Side Studios Gallery, London. Her awards include ArtGemini Prize, Tyson Awards (selected by Liz Gilmore). She was shortlisted for RA Summer Exhibition, Threadneedle Prize and National Open Competition. 

Karolina Albricht’s paintings derive from a private imaginative space. Her work is rooted in figuration while operating within an abstract language. Continuously, she’s negotiating new configurations of form, colour and surface, establishing and defying the possibilities of painting, stretching it beyond the flat surface of canvas. She sees painting as a generative force of space, time, movement and feeling; an active environment where these elements meet, setting their own terms; a possible reality. A reality felt and experienced. [karolinaalbricht.com]

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#SKETCHBOOKTHOUGHTS 194

IN CONVERSATION | URBAN LANDSCAPE PAINTER- TOM COX

11.08.20

“There’s always a place where you can make your building or your development stand out, and also connect to the local community by figuring out who is producing work that is relevant to that community, that speaks to that community, and then using their art to connect back to that area.”

-Tom Cox

Tom Cox established his reputation and gained widespread acclaim as an urban landscape painter and has been featured in the Evening Standard, The Guardian, Artists & Illustrators Magazine and more. In 2016 he established Focus LDN, a pop-up gallery exhibiting the work of emerging artists across London. In 2018 he orchestrated his first international exhibition in Sao Paulo, Brazil.

Demand for his work grew and in 2019 he was tasked with a number of large scale commissions, whilst simultaneously being taken on by Select Gallery in Notting Hill. [tomcoxstudio.com]

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#SKETCHBOOKTHOUGHTS 193

IN CONVERSATION | PAINTER- MINJOO KIM

05.08.20

“And when I go for the exhibitions at like Tate or, you know, big galleries, I’m always really impressed when I see there’s such a wide range of age in the audience. So yeah, as an artist it’s such a brilliant environment for me to share my work and thoughts.” -Minjoo Kim

Minjoo Kim is a London-based narrative painter who was born and raised in South Korea. Kim’s work addresses the formatin and re-negotiation of cultural identity, drawing from her own experience growing up in a conservative Korean context.

Since moving to London in 2016, Kim was confronted with a radically unfamiliar cultural environment which led to a range of new perspectives on beauty, femininity, and social relations. Her ongoing research is the result of this continually expanding focus, encompassing a broad investigation of the social and political issues surrounding the identity of women, particularly from her own East Asian milieu. The subjects of her paintings, primarily women, are drawn from real-life but depicted in an imaginary setting, or as Kim describes it, ‘a virtual narrative’. [minjookim.net]

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#SKETCHBOOKTHOUGHTS 192

IN CONVERSATION | PAINTER- INGRID SANCHEZ

28.07.20

“We live in a digital era, where we are all online, like we artists and developers are there like you just need to look for us. In a way it’s easy to find a good fit to work and collaborate.” -Ingrid Sanchez

Ingrid Sanchez is a full time artist and designer. She teaches workshops in her home-studio as well as many cities abroad. She is most known for her loose dynamic style and non-sketching approach. Watercolour always serves as her ground base and other mediums like inks or acrylics join in depending on how her paintings evolve. Her artworks are the result of constant and fearless experimentation.










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#SKETCHBOOKTHOUGHTS 191

IN CONVERSATION | PAINTER- JUKKA VIRKKUNEN

23.07.20

“So I think having these kinds of spaces where there are other people around; I think it creates a nice community and environment for you to also have a dialogue with other disciplines.” – Jukka Virkkunen

Jukka Virkkunen is a painter from Jyväskylä, Finland. In 2014 he graduated with a BA in graphic design from the Universidade Norte do Paraná in Brazil and in 2020, he received his MA in painting from the Royal College of Art in the UK. Through his paintings he explores emptiness and physicality through minimal mark-making on monumental monochrome canvases. He creates his own architecture- a volume of colour held inside a space or over existing structures.




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#SKETCHBOOKTHOUGHTS 190

IN CONVERSATION | CERAMICIST- BISILA NOHA

16.07.20








“I do ceramics, but I also run a small arts organisation where we have events and there’s so many things that when you try to pull them together in another context outside of London, it feels like there’s no room for it.” -Bisila Noha



Bisila Noha’s ceramics are strongly influenced by Japanese ceramics. She makes ‘simple’ ceramic pieces that she uses as either a canvas for abstract landscapes or as the embodiment of her reflections and personal life stories. She teaches ceramics regularly at Crown Works Pottery and runs workshops with organisations. She is also co-director of Lon-art and Create, the UK’s leading charity empowering lives through the creative arts. [bisilanoha.co.uk]












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